Originally formed in the summer of 2002, U.S. Christmas has steadily evolved into a full-blown psychedelic assault. The music cannot be ignored. It hurts people, physically and mentally. It stirs intense feelings of pain, frustration, loss, fear, and-- occasionally-- euphoria.
The band always plays at deafening volumes, and guitarist Nate Hall frequently uses multiple amp setups for a thick, layered sound. Rhythm section Tim Greene and John Presnell hit the low-end, and Matt Johnson often mans guitar and theremin simultaneously. Chad Davis is able to handle any musical duties at any time. Shows are chaotic and unpredictable, riddled with sythesizer and theremin spasms. Images are projected onto the stage, the ceiling, or performers themselves. Many a drunken bystander has been drawn to the theremin's magic antennae.
Their first recording, Prayer Meeting, authentically captured the sound of the band at the time, and the same can be said for Bad Heart Bull, Salt The Wound, and U.S. Christmas's latest full-length, Eat The Low Dogs. All four albums were recorded live, by the band, either in stifling heat or nut-shriveling cold. Snare drums rattle, amps hum and pop, dogs bark in the background. But that's the way it always sounds, and the band doesn't see any point in changing a method that works.
U.S. Christmas has shared bills with some of the world's best heavy bands, including High on Fire, Weedeater, DOVE, Place of Skulls, Orange Goblin, ATP, Graves at Sea, Scissorfight, Red Sparowes, Atomic Bitchwax, and Kylesa.
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